A marble bathroom is a commitment, not a finish. It is the most requested look I am asked for and the one I am most careful about, because the gap between a marble bathroom that ages into something extraordinary and one that stains in six months comes down to a handful of decisions most people never hear about.

Natural stone is one of the most loaded decisions in any interior design project. It is also one of the few materials I specify that will almost certainly outlive the people who chose it.

Most people choose interior design materials for how they look on the day of the photograph. I choose them for how they will look in ten years.

There is a moment in almost every project when a client asks why we are commissioning a cabinet rather than buying one. It is a fair question.

Window and door design in interior architecture is, for most people, an afterthought a category of "fittings" chosen near the end from a supplier's catalogue, sized to fit the holes the builder left. I see it the other way around.

Every apartment has light. Few of them use it. In nearly twenty years of looking at homes before they are touched, the single most common waste I see is not money spent on the wrong sofa or the wrong stone it is natural light, the one material that arrives free every morning and is squandered by walls put in the wrong place, windows dressed in the wrong fabric, and rooms arranged with their backs to the sun.

Small space interior design is treated, almost everywhere, as a problem to be solved. The brief arrives already apologetic: only sixty square metres, only one bedroom, only this much square footage to work with.

The assumption is almost universal. More room means more freedom, more possibility, a home that is easier to design and more pleasurable to inhabit. Interior designers know the opposite is true.

A door threshold is one of the most overlooked details in residential interior design, and one of the most telling. The interior door threshold is the junction between two flooring materials, two rooms, two levels of a home.

Circulation is the word interior architects use for movement, for the routes that people take through a building, the paths that connect entrance to bedroom to kitchen to bathroom, the invisible logic that determines whether a home feels easy to inhabit or quietly exhausting.

Open plan interior design promised freedom, the removal of walls between kitchen, dining room, and living room to create one continuous space where light flows, people connect, and family life unfolds without barriers.

A haussmannian apartment renovation is one of the most rewarding and demanding projects in residential interior design in Paris.

The instinct is almost universal. A client walks into a dark, compartmentalised apartment, small rooms arranged around a central corridor, a kitchen separated from the living area by a wall that seems to serve no purpose, and the first thing they want to do is open it up.

Ceiling height is one of the most underestimated variables in residential interior design. It is not decorative. It is architectural, a fixed condition that shapes the acoustic character, the sense of scale, and the emotional atmosphere of every room it defines.

Before a single material is chosen, before a colour palette is established, before a piece of furniture arrives on site, proportion decides whether a room works.

Reading a floor plan is one of the most practical skills a property buyer, renovator, or design client can develop — and one of the least taught. A floor plan is an architectural drawing that shows a bird's eye view of a space, drawn to scale, with all walls, doors, windows, rooms, and key dimensions represented in a standardised system of lines and symbols.

Ask most people what an interior designer does and the answer will involve colours, fabrics, and arranging furniture. That answer is not wrong. It is, however, radically incomplete.

Interior designer vs interior decorator isn't a question of taste, or of which one sounds more impressive on a business card. It's a question of training, of scope, of what each one is legally and professionally allowed to do.

Buying property in Paris as a foreigner is one of the most exciting investments a person can make. The city's architectural heritage is unrivalled, its real estate market remains one of the most sought-after in the world, and the prospect of owning a Parisian apartment, whether as a private residence, an investment property, or a pied-à-terre, carries an emotional weight that few other cities can match.

There is a reason the Parisian apartment has become one of the most admired residential typologies in the world. The charm of Parisian interior design lies in its ability to balance history with personality, elegance with comfort, and structure with soul. But decorating an apartment in Paris is not simply a matter of choosing the right furniture and hanging a mirror above the fireplace.